Einlassung (Admission)
2025
Faltenwurf (Fold)
V2A wire mesh, H 1300 x W 540 x D 200cm
1st place in the art competition “The Cloud” for St. Maria Church, Stuttgart
From the jury's statement: “The jury chose Andrea Knobloch's work ”Einlassung" because the sculpture, with its expansive gesture in the crossing, sets a strong accent in St. Maria. Suspended from the ceiling like a billowing drapery, the wire mesh sculpture remains airy and transparent despite its size of 13 meters. Its lucid materiality offers the incoming light opportunities for reflection that inspire viewers to ever new impressions. No visitor to the church can escape the self-assured presence of the work, which occupies the entire crossing like a baroque veil."
Torso
2024
drawing
coffee, colored pencil on torn paper
H 72 x W 61 cm
Mutation
2025
drawing
coffee, colored pencil on paper
H 200 x W 150 cm
IKARUS
2025
drop Sculpture
trapezoidal sheets / supporting structure (stainless steel), foundations
overall dimensions H 725 x W 720 x D 550 cm
3rd prize in the open, two-phase art-in-architecture competition for the new European Center for Medium-Range Weather Forecasts, art location 1, entrance area / outdoor space
Outside the secure campus area, a strange, oddly bent, technoid formation appears. Is it a crashed satellite sail or a tin roof blown away by the storm? The high-flying Icarus—who, according to legend, fell into the sea because he underestimated the power of the sun, which melted his wax wings—is the namesake of the design. In ensemble with the rising EZMW high-rise, it points to the ultimately uncontrollable power of the elements, the prediction of which is the task of the center.
Metamorphosis
2025
drawing
watercolor, colored pencil on paper
H 222 x W 150 cm
Torso
2024
drawing
coffee, red chalk, color pencil, metal leaf on paper
H 150 x W 107cm
in "I'm Not My Body"
opening 7.2.25, 19h
duration 8.2.—16.3.25
Künstlerhaus Dortmund, Sunderweg 1, 44147 Dortmund
open thursday—sunday, 16—19h
I Am Not My Body
exhibition with works by
Isabella Fürnkäs, Andrea Knobloch, Ayumi Paul, Bettina Scholz, Jeannette Schnüttgen, Jessica Maria Toliver, Jorinde Voigt, Thomas Zitzwitz
curated by Adriane Wachholz
opening 7.2.25, 7pm
duration 8.2.—16.3.25
Künstlerhaus Dortmund, Sunderweg 1, 44147 Dortmund
opening hours thursday—sunday, 4—7pm
In The Storm
plaster relief with gold overlay
plaster, silicate paint, hammering, metal leaf
H 1120 x W 890cm
1st prize in the Klassik Stiftung Weimar art competition for the new entrance area in Weimar City Palace
A relief carved into the plaster runs across one side wall, as if dust stirred up by the beating wings of the “angel of history” had been driven into it with unbridled force. According to Walter Benjamin, this angel is constantly driven toward an unknown future by the storm of progress and prevented from healing past devastation. The relief “Im Sturm” draws visitors to the castle into the building, which has been destroyed many times but always rebuilt.
Creep
2025
forttage / drawing
graphite, red chalk, watercolor, colored pencil on paper on canvas
H 85 x W 69 cm
Creep
2024
drawing / frottage
pencil on paper on canvas
H 99 x W 69cm
Zone
2024
multidimensional relief
acrylic ink, metal paint on paper
4-part, total 16,5sqm
as part of the exhibition OUTSIDE IN
Dominik Geis, Marcus Kaiser, Andrea Knobloch, Gabi Luigs, Marie Ogoshi, Fabian Sokolowski
opening 2.10.2024, 9 pm
finissage 30.10.24, 7pm
the room, Kaistraße 16A, 40221 Düsseldorf
a project by Gabi Luigs and the pool Düsseldorf
Creature
2024
drawing
watercolour, colour pencil on paper
H 183 x W 124cm
Creep
2024
digital drawing
pigment print on Hahnemühle paper
H 59,4 x W 42cm
Image Interference
2024
Illusion painting with microrelief
2nd prize in the art and architecture competition "Renovation and conversion of the Villa Liegnitz in Potsdam"
H 4,05 x W 4,87m
The south wall of the reception room of Villa Liegnitz is entirely taken up by the light blue tones of a cloudless sky. Only the brown-reddish-dark stains and scratches disturb the idyll and refer to its problematic past as the last residence of the Hohenzollern heir to the throne, Prince August-Wilhelm, a partisan of the National Socialists: the sky over Germany is and remains the “grave in the clouds” that Paul Celan speaks of in his Todesfuge. "Image Interference” warns against deceptive certainties and turns against forgetting.
Torso
2024
digital drawing
pigment print on Hahnemühle paper
H 59,4 x W 42cm
Foreign Matter
2024
3rd place in the "Competition Art in Architecture - Art meets Science at the Helmholtz-Zentrum Berlin (HZB)"
Drop Sculpture, cast aluminum
H 2,12 x W 3,40 x D 2,06m
A shimmering metallic object is stranded on the forecourt of the HZB. The hollow body appears to be stretched to the limits of its capacity. Isolated rays of light penetrate through cracks and holes, forming a micro-universe of small points of light in the vague darkness of its interior. "Foreign Matter" symbolises man's insatiable thirst for knowledge. While he tries to grasp infinity, he remains a mystery to himself and his innermost being a world that is far from being fully illuminated.
Ghost
2024
drawing
sepia ink, black ink, coloured pencil on paper
H 72 x W 50cm
Twisted Horizons
Heinke Haberland, Andrea Knobloch, Alke Reeh
Opening 17.11.2023, 6 pm, until 14 January 2024
Fri-Sun 2—7 pm, 22.12.—31.12.2023 closed
The Pool, Tersteegenstraße 63, 40474 Düsseldorf
by Krey Architecture & Haberland.ART & Luigs_Art Management
Metamorphosis
2023
drawing
coffee extract, colour pencil on paper
H 78 x W 53cm
Torso
2023
drawing / frottage
pencil, graphite on paper on canvas
H 71,5 x W 64cm
Torso (Sebastian)
2023
drawing / frottage
ink, colour pencil, chalk, metal leaf on perforated paper on canvas
H 54 x W 33cm
Creep
2023
drawing / frottage
pencil and graphite on paper on canvas
H 80 x W 55cm
Mutation
2023
drawing
coffee extract, colour pencil on paper
H 203 x W 150cm
Creep
2023
drawing / frottage
pencil, graphite, colour pencil on paper on canvas
H 59 x W 42cm
Little Devil
2025
Drawing
Rabbit glue, white pigment, ink, colored pencil on paper
H 45 x W 35cm
Creature
2023
drawing
pencil, colour pencil, beetroot extract on paper
H 237 x W 150cm
Metamorphosis
2023
drawing
colour pencil, coffee extract on paper
H 77,5 x W 43cm
photography Thomas Neumann
Eau de Vie
2023
Design for the final round of the non-open, anonymous art-in-architecture competition Federal Ministry of Finance, canteen in the conference centre
constellation of three glass bodies
overall H 4,1 x W 7,05 x D 0,15m
On the left, a trail of shimmering red tones runs across the bare concrete of the rear wall surface. Right next to it, a watery substance oozes out of the wall. Opposite, a crystal-clear elixir has accumulated like a drop. The design “Eau de Vie” picks up on the phrase “blood, sweat and tears”, which reflects the price of freedom and self-determination. All three terms refer to vulnerability, effort and suffering, but also stand for vitality, energy and empathy. Placed in the canteen of the ministry, the miracle of human existence is set in relation to the profanity of its fundamental conditionality: food intake.
Torso
2023
drawing / frottage
pencil, coffee extract on paper
H 73 x W 61cm
photography Thomas Neumann
Creep
2022
digital drawing
pigment print on Hahnemühle paper
H 59,4 x W 42cm
Lot’s Wife
2023
drawing
graphite, beetroot extract on paper
H 150 x W 88cm
photography Thomas Neumann
Mutation
2022
drawing
charcoal on paper
H 120 x W 85cm
Creep
2022
drawing
pencil on perforated paper
H 64 x W 46cm
photography Thomas Neumann
Mutant
2022
drawing
charcoal on paper
H 120 x W 85cm
photography Thomas Neumann
Impact
2022
Design for the competition Kurstr. 33 / Reconstruction and extension of the Foreign Office
illusionary relief, Grisaille
H 3 x W 11,39m
Before reaching the waiting area, the visitor to the annexe passes through a course of glazed doorways. On his way, his gaze repeatedly falls on the strangely distorted, undulating front wall of the waiting room. Wrinkled bulges emanate from an impact point in the right side of the wall and continue to the left in a wide arc. On approach, the ridges of height and shadowed depths reveal themselves as fine, dark as well as light mists of colour on smoothly plastered, pebble-grey walls.
